Saturday, July 20, 2013

Back From Europe with a Full Sketchbook

Windsor Street Scene - watercolor 8 x 12
In Windsor England, we stayed in the Castle hotel just across from the Windsor Castle and by this lovely street. I enjoyed the atmosphere of the town as much as I enjoyed the castle itself.
Nellie and I enjoyed our two weeks in Europe and Great Britain but we're just getting over our "jet lag." It was a great trip and I have tons of new drawings and research material for new paintings. I will have an art show featuring the new paintings in my gallery from August 2, 2013 until August 31. We'll have a reception Thursday August 8 from 6 to 9pm and again on Friday August 9. At 7pm each night I will give a short Powerpoint presentation about the trip and how I use on-location plein air drawings and watercolor studies to prepare for finished studio paintings. Stop by if you get a chance. I'd love to see you. Over the next few weeks I will be posting some of my travel sketches and paintings on the blog, featuring England, Ireland, Scotland, Germany, and France. So stay tuned.

On-location pencil study of the Windsor Castle in England

Pencil sketch of a Windsor Castle Tower
Pencil sketch of the crooked house of Windsor.
It was across from our hotel

Thursday, June 27, 2013

We're Off to Europe Again!

Original watercolor "English half-stone cottage" 5 x 8
I don't mean to rub it in, but Nellie and I will be joining a tour group to Europe this weekend. We'll spend some time in Germany and France, before heading to England, Ireland, and Scotland with a return on July 16. Of course I will be sketching, painting, and doing a little teaching while there. We're excited to get back across the pond again, to recharge our batteries as we visit a few of our favorite places, plus lots of new locations. In order to get in the mood, I've done a few small European paintings this past week from my old reference material. Expect to start seeing a flurry of new images of our travels soon. You are all invited to a special preview showing of the new paintings Thursday August 1 through 31 at my studio. 165 North 100 East #2, St. George, UT 84770.

Wednesday, June 12, 2013

Come See My Paintings!

Where the River Turns is available as a gallery-wrapped canvas giclee
I've got a gallery full of new paintings of Zion National Park and the Utah Landscape. I'd like to invite you to stop by and see them this weekend during the downtown gallery walk. I have some wonderful little original paintings framed and ready to go for under $400, plus some great big gallery-wrapped giclees on canvas which are just spectacular. Stop by any time Friday from 10am to 9pm, and Saturday from 10am to 6pm. I'm just above St. George Blvd a block east of Ancestor Square. 165 North 100 East #2, First East Plaza. 435-673-1988. Look forward to seeing you.
Come by anytime Friday from 10am to 9pm during the downtown gallery walk

Friday, May 24, 2013

Plein Air painting demonstration for Dixie Watercolor Society

My good friend and fellow artist Myron Laub asked me to do a quick plein air painting demonstration at the monthly paint-out of the Dixie Watercolor Society this week. He chose a wonderful spot on the edge of Green Springs near St. George with a grand view of the red cliffs and Pine Valley Mountain. My job was to show how I approach the subject of sage brush in watercolors.
  I started by explaining how our artistic eye is drawn to the lightest light against the darkest dark as we find edges and shapes in nature. I showed how the morning light distinctly outlined the edges of each sagebrush and showed the soft whispy structure of the plant against the dark shadow side of the bush behind it. I did a fast pencil value study to show how it works, then launched into a quick quarter-sheet demo in watercolor. Following my demonstration the others in the group retired to their individual painting spots and went to work creating their own images.
My plein air demonstration painting for the Dixie Watercolor Society









Sunday, May 12, 2013

Southern Utah Art Guild Paint Out at the Red Mountain in Ivins, UT

Me with my finished painting
I'm always looking for a good excuse to paint outdoors, so when the Southern Utah Art Guild announced a plein air paint-out near Snow Canyon I jumped at the chance. A few faithful members gathered at the top of 300 East, which stops at the foot of Ivin's big Red Mountain. I was a little late due to Saturday morning chores, and some of the artists including Royden Card and David Hansen had already  got a good jump on their paintings. Art event guru Bobbi Wankier and SUAG president Michael Foot were there cheering us on and snapping photos of the artists at work. Bobbi's husband Erric Wankier worked on an amazing pastel painting while I worked in watercolor.
Roland Lee 5 x 8 watercolor study of the Red cliffs done on location during the paint out
She decided to shoot a short video of me painting for publicity purposes. Ever the teacher, I decided to do a step-by-step instructional video as long as I had a willing camera person. So I proceeded to explain how I chose the view, sketched out the scene and built up the glazes in succeeding values to the finished piece. Of course the painting was small, and I painted a little faster than usual so as not to bore the viewers. But it turned out okay. We'll probably post the video on YouTube at some point.
Erric Wankier with his pastel painting of the cliffs

Monday, May 06, 2013

Plein Air Painting in Zion Canyon

Painting from this lovely spot, we enjoyed the view of Mt. Moroni and the rush of the Virgin River falls in Zion National Park.
Painting outdoors on location can be difficult at times. The focus of a recent workshop was learning how to identify a good subject in nature, and how to adapt to the changing light and shadow. The first day we worked from a wonderful shady green spot in Snow Canyon near St. George Utah, then traveled the second day to Zion National Park where we chose two pastoral spots to test our skills.
Everyone enjoyed a different set-up for painting on location
Showing off the results of our quiet morning's efforts

The first objective in any outdoor painting effort is to narrow down what you are looking at, to find something manageable in the time you have. Begin with a quick thumbnail value study to isolate the subject matter, and give yourself a roadmap to follow. Since the light changes by the minute, it is necessary to follow your sketch as you begin painting, establishing the shadows quickly, and sticking to your plan even though the scene constantly changes.

It helps to keep your painting small, under 11 x 14. I feel comfortable completing an outdoor painting in about an hour and a half. Anything longer than that, and you may as well be in the studio because you are making up just about everything anyway. I was pleased with our efforts as I feel like we captured the essence of both canyons in watercolor.

Monday, April 29, 2013

Kids Get to Paint at Discovery Day in Zion National Park

Artist Roland Lee let Dallin Taylor add a few brushstrokes to his plein air painting during Discovery Day. Plenty of paints and palettes were on hand for families to try out and Dallin was all grins when he got to paint on Roland's painting.
Dallin Taylor poses with Roland Lee in front of the painting he helped paint at Discovery Day in Zion National Park
Three of my favorite National Park Superintendents. Left to right: Paul Roelandt from Cedar Breaks; John Hiscock from Pipe Spring; and Jock Whitworth from Zion National Park.
Barb Graves, the education coordinator for Zion National Park with Roland Lee. Barb is responsible for implementing the Youth Education Initiative, sponsored by the Zion National Park Foundation. Funds raised by the foundation help bring youth into the national parks. 
This past week was National Park Week and visitors received free entrance to Zion National park. To celebrate, Zion Park had a wonderful "Discovery Day" with free activities aimed at kids and families. There were lots of displays and demonstrations from Zion, Cedar Breaks, and Pipe Spring National Monuments with interpretive rangers on hand to answer questions. The old time fiddlers pitched in to provide music, and the weather cooperated with plenty of sunshine. Several of the artists who will participate in the "Footsteps of Thomas Moran" plein air competition in November were on hand to demonstrate their skills. Visitors were excited to watch the painters work on location, and some of the artists even let the kids try their hand with a brush. All in all it was a fun day and great experience.

Friday, April 19, 2013

Painting Outdoors in Snow Canyon With the Dixie Watercolor Society


Roland Lee painting outdoors in Snow Canyon Utah
A small group of hearty artists braved a brisk 40-degree morning to paint outdoors in beautiful Snow Canyon State Park, near St. George Utah. We enjoy getting together once a month as members of the Dixie Watercolor Society to hone our plein air painting skills and have fun. In this case, our numbers were thin, due to a spring storm which rolled through overnight and dumped snow in the higher elevations all around us. We found a nice spot out of the wind with an excellent view of the canyon's red cliffs and went to work. I used a new Sienna brand pochade box that was given to me as a gift by my friend Mark Rose. Mounted on a sturdy tripod it proved to my liking as it easily adjusted the height to my 6'1" frame.  I customized it by adding an   Eldajon watercolor palette and collapsible water can. The Sienna paint box is available from A Passion for Painting.
The Sienna Pochade box has room for everything yet closes up into a compact box for carrying. A sturdy tripod has a a secure and speedy mounting clamp.
The Sienna pochade box set up in Snow Canyon

Thursday, April 18, 2013

Painting Utah Barns in watercolor

Silver stained and weathered barnwood was the subject of our workshop
When I told my class we were going to paint a barn, I didn't mean with red paint and a roller. My latest workshop explored the nuances of weathered-wood and rusted-tin as we enjoyed painting this age-old favorite watercolor subject. We were lucky to have a couple of nice old relics nearby that survived into the modern day while civilization encroached all around them, including a bustling freeway nearby. It seemed a strange mix, as we sketched and painted the silvered wood with gaping holes, while big diesel trucks roared by us. Back in the studio later we used sketches to complete paintings with fantastic skies.
While the class sketched I did a quick watercolor painting of the old barns, while cars whistled by us on the freeway. It seemed a strange mix of the old and the new.

St. George Art Festival brings great weather and lots of collectors!

The St. George Art Festival held Easter Weekend in St. George Utah brought thousands of art collectors and hundreds of artists together. I have participated in the show since its inception back in the '80s, but it has grown to be one of the premier shows of its kind today. I displayed lots of new original paintings along with some new canvas-wrapped giclee prints that were popular among the buyers. I had several new collectors including Rod Shorey from California who had seen my work before, but purchased two nice originals for his collection. Both paintings were completed en plein air at Zion National Park. If you missed the show you can still stop by my art studio and gallery to see my current original paintings at 165 North 100 East, St. George UT. Call me if you are in town 435-673-1988.
Artist Roland Lee and collector Rod Shorey at the St. George Art Festival