
My studio from the parking lot.

The view out my studio window.
THE ART JOURNALS OF UTAH ARTIST ROLAND LEE. New watercolors and oil paintings. Awards and exhibits. Art lessons, videos and art books. Travels, sketchbooks and plein air paintings.

The first step is to sketch out my drawing on 140 lb. Arches paper. I then begin with a wet-in-wet wash for the sky. It is completed in just a few minutes and allowed to dry with no overglazing.
I also use a wet-in-wet watercolor technique for the water and the rocks. After they are dry I can use wet-on-dry overglazes to add color, contrast, and detail.
A good way to build up texture on the rocks with watercolor is to splatter with clear water just before the glaze dries. This creates a fun random texture that looks very much like stains on the canyon walls.


The annual Kayenta Art Festival is the fundraiser and sole support for the Xetava Desert Arboretum, a garden formed of native desert plants beautifully laid out and carefully tagged - giving visitors the opportunity to become familiar with desert flora. Nearly 100 artists participated this year. Those of us painting on location each donated a piece for the silent auction, with proceeds to benefit the Xetava Desert Arboretum.
Sam Lawlor worked on a couple of oils, while chatting with artist Larry Bees.
Bonnie Conrad finished up a painting of a young Native American girl and had enough time to start another nice painting.
Artist Ron Larson with show organizers Barbara Aikens and Cherie Stoddard.

My daughter Jennie and my two little granddaughters Emma and Ellie came to spend the week with us. I always like to let the grandkids have a turn painting in my studio. Today it was Emma's turn. She carefully put on the apron, then dove right in -- grabbing explosive colors and painting with wild exuberance. It's amazing how children have no fear of making art. They love the tools and they love the process. That's the way it should be for all of us. Art is a joy!





The painting begins with a pencil sketch on 140lb Arches watercolor paper. Following my usual pattern I begin to lay in broad washes of color, adding texture in the rocks by flipping clear water into the glazes with my brush. I also allow some of the pigment to mingle and blend on the paper.
Now I lay in the distant cliffs and some of the background area using the same tecniques as I used in the rocks. I am establishing value patterns, at the same time building up a sense of texture in the foliage and rocks. I will refine many of these areas with darker glazes as the painting progresses.


