We braved a big winter storm to travel to Salt Lake City over the weekend. Although the roads were indeed treacherous, we survived to enjoy the resulting white blanket of beauty that always follows. We attended a beautiful banquet high above the city in the Joseph Smith building, followed by a wonderful concert featuring the Mormon Tabernacle Choir and orchestra. It was a grand way to usher in the Christmas season and remember the birth of the Savior of the World.
Jeff and Karianne Prince with their painting of a Swiss Village.
Yesterday I conducted a painting workshop in Zion National Park. But this was a little different. This time we were followed around by a film crew making a video documentary about the Centennial of Zion National Park. Emmy award winning film producer Phil Tuckett, with 30 Emmy awards to his credit, is producing the film leading a crew from the advanced film production program at Dixie State College. In the photo above I stand by the demonstration painting I completed near the Temple of Sinawava. 
A Cameraman zooms in on artist John Mangels while John's wife enjoys the show. At first the artists were shy, but once they got into their paintings they forgot about the cameras. The filming took several hours.
Dick Rose works on a small watercolor painting by the Virgin River near the Temple of Sinawava. Dick is president of the Southern Utah Watercolor Society.
This little painting came on the tail end of the paintings for my England and Europe one man show at Mission Gallery. I shot several photos during the process and finally got time to post them. This is a little lane in England.
After doing a quick outline sketch on the watercolor paper I begin with some very broad washes, wet-into-wet, allowing the pigments to blend freely from warm at the top to cool in the shadow areas.
With the underglazes in place and dry, I begin painting the dark areas on the cottages and the distant trees.
Next to the finished painting is the original photo I used as reference. Obviously I always use a lot of artistic license in my paintings. Remember my role as an artist is not to duplicate a photo, but to create a new image based on my own personal experiences.
The painting started with a thumbnail value study, then a light outline drawing on the watercolor paper. the paint is applied in glazes from light to dark pigment. 
I figured it was time to get out of the studio and fill the creative bucket, so I spent the day today in Zion National Park. I had in mind to get "above it all" with a hike to Angels Landing. It's not a long hike but takes about 4 hours round trip. It was 28 degrees when I parked my truck and took the canyon shuttle to the Grotto. But things warmed up considerably as I started up the switchbacks that led to Refrigerator Canyon. The leaves still haven't turned yet, but there was enough color to add drama to the scene. 
A series of 21 switchbacks called "Walters Wiggles" made my legs burn and my lungs ache by the time I leveled off at Scout Lookout. Here things get interesting with a Class 3 scramble assisted by well-placed chains across a narrow 3 foot wide passage with 1500-foot drop offs on BOTH sides. Not for the faint of heart, but it was all worth it as an incredible view opened up on both sides of the canyon from the small perch at the top.
What a place to relax and enjoy my baloney sandwich while taking in the view and the crisp wind. I ignored the hopeful appeal for a handout from the resident chipmunks, but couldn't ignore the two huge Condors that appeared with a rush of wind and soared on their huge wings right past the peak. Finally I started down the chains and worked my way back to civilization. Now that's the way to spend a day!
