A Century of Sanctuary - The Art of Zion National Park Exhibit

White glove time! Erica Cottam and Deborah Reeder from the St. George Art Museum carefully unwrap an original Thomas Moran painting while Zion Natural History Director Lyman Hafen looks on.

As a member of the board of Directors of the Zion National History Association we are excited about the fantastic art exhibit which is opening this weekend in St. George, Utah. The show has been in the planning stages for over two years and is the kick-off event for Zion National Park's 100 Year anniversary celebration.

The upper level of the art museum will include about 70 historical paintings spanning the period from the late 1800's through the 1900's. The lower level includes paintings by contemporary artists selected by juror Peter Hassrick from over 600 paintings entered in a worldwide competition. Over $30,000.00 in purchase awards will be given out in a special ceremony this Friday night, with the exhibit opening to the public Monday August 25, 2008.

Not only does this exhibit include an exciting variety of images from today's best painters, but the show features original paintings and prints from such luminaries as Thomas Moran, Maynard Dixon, Ansel Adams and others. This will certainly be a once-in-a-lifetime opportunity.

Click here for more information about "A Century of Sanctuary - The Art of Zion National Park."

GPS Leads Hawaiian Family to My Studio

Kimo and Norma Kimokeo visited my studio today along with their daughters Kehau and Bethany. They were visiting Utah from Kaneohe, Hawaii, where Kimo is a well-known musician and performer. When I asked how they found me they said they just looked up "Interesting things to see in St. George, Utah" on their GPS and it directed them to my gallery. I had no idea a GPS could do that. It's amazing what modern technology can do. We had a nice studio visit and they got to see my latest painting of Scotney Castle Tower in progress. They were excited to be the first people in the world to get a glimpse of it. Everyone else will get to see it in a few days too!

Paintings of England

I've begun working on my new paintings of England and have so many ideas I don't know where to start. So I started small, with these two paintings of the Howgill Fells area of Cumbria in the Yorkshire Dales. Our good friends the Hartleys own a lovely country home just a mile from Sedbergh and have welcomed us there several times. Their daughter Geraldine will be married there this month, and there's not a prettier setting in all the world. The old stone barn in the painting has been converted into guest quarters and an art studio for Barbara Hartley, a fantastic artist in her own right.

Zion Painting Workshop Scheduled for September

3-DAY ZION PAINTING WORKSHOP SEP. 22-24

I have been invited by the Southern Utah Watercolor Society to teach a 3-day watercolor landscape workshop in St. George September 22-24, 2008. We will have two days of indoor instruction and the third day we will travel to Zion National Park to sketch and explore the park, followed by a visit to the St. George Art Museum where we will enjoy the new "Century of Sanctuary: Art of Zion National Park" exhibit. You will see the 78 pieces juried into the Centennial art competition, plus over 70 historic Zion paintings by such masters as Thomas Moran and Maynard Dixon. So join us for three days of fun learning how to paint the red rock country of southern Utah. The tuition for members of SUWS is $100, and $150 for nonmembers. Contact SUWS president Dick Rose to reserve your spot: (435) 635-4722. The workshop is imited to 20 people.

2-DAY WATERCOLOR WORKSHOP SEP. 4-5

Only 8 students can register for this intimate watercolor workshop. It is sponsored by Becky Whitney at "A Passion for Painting" Art gallery and cost is $150 per person. Sign up now by calling: (435) 628-5890.

check out all my fall painting classes on my website.

Dutch Windmill Paintings

My final landscape paintings in the Holland painting series (for now anyway) are painted with two entirely different moods. In the watercolor painting above I bathe the scene in the warm glow of sunset's evening light. In Holland the skies are big, because the country is wide and flat. When it is moist and rainy, distant views fade quickly into a gray haze, but after the rain skies are clear and the sunsets are grand. This painting is based loosely on the windmill at Sint Maartensdijk in Zeeland, although I took ample license with the elements in order to create the drama I was looking for. Click to learn more about this painting



This painting above called "Holland Reflections" includes typical Dutch symbols such as windmills, thatched roofs, flatbottomed boat, and water. the mood is different, as I seek to capture the bright colors and airy skies in the water reflections. The painting was inspired by a visit we made to the wonderful Openluchtmuseum in Arnhem. Click to learn more about this painting

Click to see all my paintings from the Netherlands

Click to see all my travel sketchbook drawings from Holland

Giethoorn Canal Boat Painting

These narrow canals connect the residents of Giethoorn Holland to the rest of the world. The only transportation they have is via their little canal boats. Instead of garages they have boat houses. Small footbridges crossing the canals are high enough for the boats to go under, but they have to take the mast down first!

More information about this painting of Canal in Giethoorn Netherlands

Click to see all my paintings from the Netherlands

Click to see all my travel sketchbook drawings of Holland.

Painting of Windmill in Edam Netherlands

After visiting the historic seaport town of Volendam north of Amsterdam, we continued on and stopped at Edam, where we fell in love with this little windmill alongside a canal. Most of the windmills in Holland are no longer functioning, and it appeared that this one had been turned into a home with bright red shutters and trim.

This close-up shows the painting procedure I use on most of my paintings. I begin with a light 2H pencil sketch on the watercolor paper, then use a combination of wet-into-wet and drybrush as I build up the values from light to dark. Notice how I leave the white of the paper where the highlights will be in the finished painting.

More information about this painting of Dutch windmill in Edam Holland

Click to see all my paintings from the Netherlands

Click to see all my travel sketchbook drawings from Holland

Sketchbook Drawings of Holland

Here are a few more sketchbook drawings from the travel sketchbook I kept in the Netherlands. These drawings are from the Overijssel province near the town of Holten.

We stayed a week at the Landal Twenhaarsveld family park near the little town of Holten in Overijssel Netherlands. The little cottages were very nice and the amenities were great. Some of the cottages even had the typical thatched roofs.

But what I liked best was hiking each morning out in the farms and along the country roads. Even in the country the homes are well-kept, with lovely gardens and thatched roofs.

The Eigenweg is a little lane that runs behind Landal near Holten. This is a sketch of one of the farmhouses with a typical high-pitched tile roof and Dutch gable. Most of the Dutch tile roofs are dark brown rather than red.

Click to see all my paintings from the Netherlands

Click to see all my travel sketchbook drawings from Holland

How a Dutch Windmill Works

8" x 12" Watercolor painting of Dutch Windmill by Roland Lee. This big Stellingmolen at the Open Lucht Museum in Arnhem Netherlands has its sails trimmed and operating. I had a chance to study this molen up close and see them demonstrate putting the canvas sails on and taking them off.

Click here for more information about this painting of Stellingmolen in Holland

HOW DOES A WINDMILL WORK?

Admittedly, this is from someone who isn't really qualified to speak on the subject, but in general this is how the windmill (molen) works. The four-bladed Sails (sometimes called wings by the locals) are angled so they catch the wind, operating a gear mechanism inside the cap which turns a vertical shaft. This shaft is harnessed to huge grinding stones for milling grain. The windmills were also often used in Holland to operate an Archimedes Screw for pumping water. Although used since the 12th century, today most windmills in Holland are static and kept only for historical purposes.

We were fortunate to have a private tour of De Volharding windmill in Zeddam Holland, owned by Remco Harmsen and Mara Waszkiewicz. It is fascinating to see the inner workings with the huge mechanisms and multi-ton millstones. Remco took me up a narrow ladder into the cap to see huge wooden-tooth gears. I was surprised that it only took a slight wind to turn them and they were so smooth and quiet--No creaking or groaning as I expected. One day Remco hopes to have the windmill completely restored and operating on a regular basis. We were lucky to happen on this one while it was in motion, as most are not.


The wooden lattice structures you see on the sails in paintings and photos are actually just the supports. In order to actually catch the wind, the miller must stretch canvas over the latticework and "trim" up the sails to best capture the wind power. This is done by braking the sails and rigging them up (or down) one sail at a time. It's fun to watch the process, and see the big wings in motion.

Click to see all my paintings from the Netherlands

Click to see all my travel sketchbook drawings from Holland

Paintings of Dutch Windmills

I've spent the last two weeks working on some new paintings of Windmills in Holland. I started with small watercolor studies of some of my favorite windmills we visited in the Netherlands and I'm now working on a couple of big watercolor landscape paintings of Holland.

This painting is of a windmill in Sint Maartensdijk on the island of Tholen in Zeeland. I visited this windmill a couple of times to get some photos and sketchbook reference. All the windmills were bigger than I expected and the big wings are really something to see when they start turning. The lattice work that you see on most photos of windmills actually supports the canvas sails which are stretched out across them to catch the wind. Without the sails the wings won't turn.

click here for more information on painting of St. Maartensdijk Dutch Windmill