2-DAY WATERCOLOR WORKSHOP SEP. 4-5
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THE ART JOURNALS OF UTAH ARTIST ROLAND LEE. New watercolors and oil paintings. Awards and exhibits. Art lessons, videos and art books. Travels, sketchbooks and plein air paintings.
Here are a few more sketchbook drawings from the travel sketchbook I kept in the Netherlands. These drawings are from the Overijssel province near the town of Holten.
We stayed a week at the Landal Twenhaarsveld family park near the little town of Holten in Overijssel Netherlands. The little cottages were very nice and the amenities were great. Some of the cottages even had the typical thatched roofs.
But what I liked best was hiking each morning out in the farms and along the country roads. Even in the country the homes are well-kept, with lovely gardens and thatched roofs.
The Eigenweg is a little lane that runs behind Landal near Holten. This is a sketch of one of the farmhouses with a typical high-pitched tile roof and Dutch gable. Most of the Dutch tile roofs are dark brown rather than red.
(sometimes called wings by the locals) are angled so they catch the wind, operating a gear mechanism inside the cap which turns a vertical shaft. This shaft is harnessed to huge grinding stones for milling grain. The windmills were also often used in Holland to operate an Archimedes Screw for pumping water. Although used since the 12th century, today most windmills in Holland are static and kept only for historical purposes.
We were fortunate to have a private tour of De Volharding windmill in Zeddam Holland, owned by Remco Harmsen and Mara Waszkiewicz. It is fascinating to see the inner workings with the huge mechanisms and multi-ton millstones. Remco took me up a narrow ladder into the cap to see huge wooden-tooth gears. I was surprised that it only took a slight wind to turn them and they were so smooth and quiet--No creaking or groaning as I expected.
One day Remco hopes to have the windmill completely restored and operating on a regular basis. We were lucky to happen on this one while it was in motion, as most are not.
The wooden lattice structures you see on the sails in paintings and photos are actually just the supports. In order to actually catch the wind, the miller must stretch canvas over the latticework and "trim" up the sails to best capture the wind power. This is done by braking the sails and rigging them up (or down) one sail at a time. It's fun to watch the process, and see the big wings in motion.
This building near the center of Tholen features a typical, yet elaborate gable front. Most of the buildings are very narrow, with two or three stories above. The street levels can either be homes or storefronts even in the same part of town. Always the windows are dressed with lace curtains and potted flowers inside the home. Every home without exception is immaculate and "home show perfect."
This style of store front facade was very typical of almost all Dutch cities. The date of original construction is proudly posted on the top of many of them dating back many hundreds of years. It is fun to walk down any city street in the Netherlands and just look at the building architectural features, noting the dates.
As I noted before, brick is extensively used in all construction in the Netherlands. Many fronts had little wings that jutted out where the face met the roofline. Often, the bricks were set at an angle along the diagonal rooflines as well. The brick masons were certainly skilled in their work and must have been competing for awards in design uniqueness.
The tower of The Onze-Lieve-Vrouwekerk (Our Lady's Church) dominates the town of Tholen. It was built in 1375 while construction of the nave, aisles, the choir and the transept began in 1400. In 1578 it became a Protestant church and remains so today.
I decided to make a study of the ornate windows on the Oudekerk in Tholen and had barely begun when the rain started to fall as it does often in Holland. I ducked under a tree and continued sketching, but eventually couldn't keep the water off the paper so I called a halt.
This is the new church located on the town market square. One morning while walking I stopped to relax on a bench in the square and this stately building beckoned me to sketch it. As I worked, a number of kids and adults on their way to work and school stopped to take a look.